“Oh my God. Oh my God. Well, when Ricky Gervais’ deal fell through and they came to me to play Margaret Thatcher… (laughter). I can’t joke. This is such a thrill, but really, really embarrassing in a year that saw so many extraordinary performances by women in leading roles – by my friends, by people I don’t know. By people that I am so inspired by… Oh, shiii-it (points to her table), I’ve forgot my glasses. Oh, I’m gonna have to remember my speech (laughter). Okay, I’m gonna have to remember, but Glenn, Viola – oh my God I’m gonna leave people off – Michelle, Rooney, Gilda, yeah and how about Adepero Oduye, how about “Pariah” (applause)? How about Michelle, how about Mia Wasikowska in “Jane Eyre”? (applause). Fantastic! Tilda. Oh geez. Everybody I know I’m gonna leave you out. Anyone of these performances in any given year would have been a stand-out and an award winning peformance. But the fact that they all this year is really, really good news for all of us, because sometimes it seems that serious, challenging, weird movies are like exotic birds, near extinct birds, and every year a new flock flies in and somebody picks them up and gives them money and we get to see them. So, I just wanna thank my agent Kevin Huvane and God – Harvey Weinstein (laughter) – the punisher. Old testament, I guess? (laughter) Okay, I gotta thank everybody in England that let me come and trample all over their history. Especially, I’d like to thank Phyllida Lloyd (music starts to fade in) – oh, no! Abi Morgan, who wrote it, Damien Jones, who stayed with us for ten years. Oh, come on. All the cast and crew in England. We’ve made this for twenty-five cents in five minutes and I’m so proud of the film and I’m so, so, so grateful. And I love you, Viola. You’re my girl."
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